When did corinne bailey rae put your records on come out archive#
Williams Collection, and it had all the books that were ever given for review to Jet and Ebony and Negro Digest since 1943, this incredible archive of more than 10,000 books on Black subjects. When I went to the Arts Bank it had an archive of artists' work and objects from America’s complicated past called the Edward J. It’s not about mining myself, my feelings and my experiences, which I’ve really enjoyed. It’s inspired by the Stony Island Arts Bank in Chicago and is a side project that will come out under another name, probably next year. You’ve just mentioned the art record you’re working on. I believe you actually have three new projects on the go right now. If I hadn’t I wouldn’t have necessarily been able to conjure anything from my ‘lived’ experience at that time, because it was just a lot of survival. After a year or 18 months I thought ‘Is this really valuable, does anyone really care, should I really be wasting my time, should I be retraining as a teacher?’ It was great that I was already working on a project. It was a shame and definitely made you feel you were doing this indulgent thing, which added to the whole, for me, weird mental health stuff of not being able to play in front of people. So there was this big disconnect between the Conservative government and how art is and isn’t valued.
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There wasn’t an understanding how people made a living and, also, how much money that brings the country. They’d said ‘Fatima your next job should be in AI or some kind of tech.’ It was basically a message to all artists: ‘You’ve had your fun but aren’t useful to society and should retrain as something that will help.’ I felt it was a standard Tory thing. I was struck by that advert, the one that was quickly withdrawn, with a ballet dancer called ‘Fatima’. It was good to get back together and, when we finally did, it felt like such massive freedom.ĭuring the pandemic the powers that be clearly didn’t appreciate what artists contribute. When it became legal to rehearse again, you suddenly realise how much you love making music. It definitely made me realise how dependent I am on those relationships I have with my band. I always like being around people, working with musicians and being inspired by people. I’m not the sort of artist that just locks themselves away and creates on their own in the studio. I’ve written three albums and I’m writing a stage musical.’ I haven’t found it to be that sort of a time. I’m always surprised when artists say ‘I’ve had such a good time in the last two years.
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Just to catch up, what have the last few years been like? Empathetic, smart, refreshingly candid, it was a delight to chat with Rae about all the exciting new projects she’s working on, moving forwards with fresh conviction and why, sometimes, it’s a total face ache to keep smiling, prior to her current UK tour. Having found new love and happiness after years of working through her grief, Rae is now married to her long time producer Steve Brown, with whom she has two daughters, and still resides in her beloved home city of Leeds. Were we to list all her achievements and experiences, from collaborating with Stevie Wonder and Herbie Hancock to hanging out with Barack Obama and Prince, you’d be forgiven for thinking she’d lived a charmed, fairytale existence.īut both her Mercury Music Prize-nominated record ‘The Sea’ and ‘The Heart Speaks In Whispers’ were partly inspired by the death of her first husband, the saxophonist Jason Rae, with those works finding her flush-of-young-love soul aesthetic evolve into a more emotionally visceral combination of atmospheric R&B, indie, electronica and jazz. Since shooting to stardom courtesy of her multi-million selling 2006 debut, Rae has enjoyed the kind of remarkable career that could have easily ruined less grounded individuals. As she moves into the next phase of her career, Rae has plenty of enchanting treats in store for everyone who values her thoughtful, heartfelt songs. Sure, fans of Corinne Bailey Rae would certainly like her to release more music, a desire that’s echoed by the singer herself, but every artist has their own unique process when it comes to creating the kind of magic they hope will enrich the lives of their listeners. You can’t please everyone all of the time.